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German Expressionism, Film Noir Case Study: Laura (1944) and Neo Noir Case Study: Taxi Driver (1976)-Part 2, by Aysha Iqbal Viswamohan

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Postmodernism and Cinema-Part 4, by Aysha Iqbal Viswamohan

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Auteur Theory in the USA-Part 1, by Aysha Iqbal Viswamohan

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Plot in Cinema-Part 1, by Aysha Iqbal Viswamohan

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Canonical Text-The Godfather (1972/1974) Part 3, by Aysha Iqbal Viswamohan

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Cinema and the Counterculture Movement-Beat Generation, Woodstock Nation, Easy Rider (1968)-Part 2, by Aysha Iqbal Viswamohan

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New Hollywood-Part 6, by Aysha Iqbal Viswamohan

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Classic Hollywood-Hay’S Code, Studio Years, Major Filmmakers-Part 2, by Aysha Iqbal Viswamohan

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Lecture Video 6-Part a, by Aysha Iqbal Viswamohan

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Classic Hollywood-Major Filmmakers, Melodrama-Part 1, by Aysha Iqbal Viswamohan

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New Hollywood-Part 3, by Aysha Iqbal Viswamohan

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Classic Hollywood-Hay’S Code, Studio Years, Major Filmmakers-Part 1, by Aysha Iqbal Viswamohan

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Lecture 10 B-Marxism, by Aysha Iqbal Viswamohan

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What is a Canon?, by Aysha Iqbal Viswamohan

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Postmodernism and Cinema-Part 2, by Aysha Iqbal Viswamohan

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Intertextuality-Blade Runner (1982)-Part 1, by Aysha Iqbal Viswamohan

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Lecture 6 Part B, by Aysha Iqbal Viswamohan

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Character as a Plot Element-Part 1, by Aysha Iqbal Viswamohan

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Intertextuality-The Matrix (1999)-Part 2, by Aysha Iqbal Viswamohan

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Classic Hollywood-Major Filmmakers, Melodrama-Part 3, by Aysha Iqbal Viswamohan

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Plot in Cinema-Conflict as a Plot Element, by Aysha Iqbal Viswamohan

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Auteur Theory in the USA-Part 4, by Aysha Iqbal Viswamohan

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Classic Hollywood-Major Filmmakers, Melodrama-Part 4, by Aysha Iqbal Viswamohan

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The Academy Awards Case Study-My Left Foot (1989) and Daniel Day-Lewis Method Acting-Part 2, by Aysha Iqbal Viswamohan

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Cinema and Modernism-Part 1, by Aysha Iqbal Viswamohan

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Lecture Video 5-Part B, by Aysha Iqbal Viswamohan

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Editing in Cinema-(Montage, Jumpcut)-Part 2, by Aysha Iqbal Viswamohan

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Postmodernism and Cinema-Part 3, by Aysha Iqbal Viswamohan

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Italian Cinema-Part 2, by Aysha Iqbal Viswamohan

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New Hollywood-Part 2, by Aysha Iqbal Viswamohan

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