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Lecture 11 a-Formalism, by Aysha Iqbal Viswamohan

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Cinema and Modernism-Part 3, by Aysha Iqbal Viswamohan

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Cinema and the Counterculture Movement-Beat Generation, Woodstock Nation, Easy Rider (1968)-Part 1, by Aysha Iqbal Viswamohan

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Colour: Theory and Practice-Part 2, by Aysha Iqbal Viswamohan

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Lecture 37-Edith Wharton: The Age of Innocence, by Aysha Iqbal Viswamohan

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Lecture Video 5-Part C, by Aysha Iqbal Viswamohan

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Course Overview-Part 1, by Aysha Iqbal Viswamohan

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New Hollywood-Part 1, by Aysha Iqbal Viswamohan

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Japanese Cinema-Part 1, by Aysha Iqbal Viswamohan

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Cinema and Genres-Part 4, by Aysha Iqbal Viswamohan

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Guest Lecture by Sudhish Kamath (Film Critic and Film Maker), by Aysha Iqbal Viswamohan

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New Hollywood-Part 4, by Aysha Iqbal Viswamohan

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Italian Cinema-Part 1, by Aysha Iqbal Viswamohan

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The Western-Part 2, by Aysha Iqbal Viswamohan

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Course Overview-Part 2, by Aysha Iqbal Viswamohan

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Intertextuality-Blade Runner (1982)-Part 2, by Aysha Iqbal Viswamohan

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Editing in Cinema-(Montage, Jumpcut)-Part 1, by Aysha Iqbal Viswamohan

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Lecture 10 a-Marxism, by Aysha Iqbal Viswamohan

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Realism in Cinema-Part 1, by Aysha Iqbal Viswamohan

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Auteur Theory in the USA-Part 2, by Aysha Iqbal Viswamohan

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Cinema and Modernism-Part 2, by Aysha Iqbal Viswamohan

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Plot in Cinema-Part 2, by Aysha Iqbal Viswamohan

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Cinema and Semiotics-Part 2, by Aysha Iqbal Viswamohan

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Lecture Video 5-Part a, by Aysha Iqbal Viswamohan

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New Hollywood-Part 5, by Aysha Iqbal Viswamohan

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Cinema and Semiotics-Seven (1995)-Part 1, by Aysha Iqbal Viswamohan

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The French Masters-Robert Bresson-Part 1, by Aysha Iqbal Viswamohan

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What is a Sentence (Continued), by Aysha Iqbal Viswamohan

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Cinema and Semiotics-Part 1, by Aysha Iqbal Viswamohan

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The French Masters-Jean Renoir-Part 1, by Aysha Iqbal Viswamohan

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